Star Tattoos on Breast

Star Tattoos on Breast

Kirsten Dunst

Kirsten Caroline Dunst (born April 30, 1982) is an American actress, model, and singer. She made her film debut in Oedipus Wrecks, a short film directed by Woody Allen for the anthology New York Stories (1989). At the age of 12, Dunst gained widespread recognition playing the role of vampire Claudia in Interview with the Vampire (1994), a performance for which she was nominated for a Golden Globe Award for Best Supporting Actress. The same year she appeared in Little Women, to further acclaim. Dunst achieved international fame as a result of her portrayal of Mary Jane Watson in the Spider-Man trilogy (2002–07). Since then her films have included the romantic comedy Wimbledon (2004), the romantic science fiction Eternal Sunshine of the Spotless Mind (2004) and Cameron Crowe's tragicomedy Elizabethtown (2005). She played the title role in Sofia Coppola's Marie Antoinette (2006), and she starred in the comedy How to Lose Friends & Alienate People (2008). In 2001, Dunst made her singing debut in the film Get Over It, in which she performed two songs. She also sang the jazz song "After You've Gone" for the end credits of the film The Cat's Meow (2001). In early 2008, Dunst confirmed she was suffering from depression, checking into a treatment center before discharging herself in March and resuming her career. Dunst was born at Point Pleasant, New Jersey, to Inez (née Rupprecht) and Klaus Dunst. She has one younger brother. Her father worked as a medical services executive, and her mother was an artist and one-time gallery owner. Dunst is of German descent on her father's side, and Swedish on her mother's. Until the age of six, Dunst lived in New Jersey, where she attended Ranney School. In 1991, she moved with her mother and younger brother to Los Angeles, California. In 1995, her mother filed for divorce. The following year Dunst began attending Notre Dame, a private Catholic high school in Los Angeles. After graduating from Notre Dame, Dunst continued the acting career that she had begun at the age of eight. As a teenager, she found it difficult to deal with her rising fame, and for a period she blamed her mother for pushing her into acting as a child. However, she later expressed that her mother "always had the best intentions". When asked if she had any regrets about the way she spent her childhood, Dunst said: "Well, it's not a natural way to grow up, but it's the way I grew up and I wouldn't change it. I have my stuff to work out ... I don't think anybody can sit around and say: 'My life is more screwed up than yours.' Everybody has their issues."

Dunst began her career when she was three years old as a child fashion model in television commercials. She was signed with Ford Models and Elite Model Management. At the age of eight years old she made her film debut in a minor role in Woody Allen's Oedipus Wrecks, a short film that was released as one-third of the anthology New York Stories (1989). Soon after, she landed a small part in The Bonfire of the Vanities (1990), as Tom Hanks's daughter. In 1993, Dunst played Hedril in "Dark Page," the seventh episode of the seventh season of Star Trek: The Next Generation. The breakthrough role in Dunst's career came in Interview with the Vampire, a 1994 film based on Anne Rice's novel, in which she played the child vampire Claudia, a surrogate daughter to Tom Cruise and Brad Pitt's characters in the film. The film received ambivalent reviews, but many film critics complimented Dunst's performance. Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the "creepier" aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth. Todd McCarthy in Variety noted that Dunst was "just right" for the family. The film featured a scene in which Dunst received her first kiss from Brad Pitt, who was 18 years her senior. In an interview with Interview magazine, she revealed, while questioned about her kissing scene with Pitt, that kissing him had made her feel uncomfortable: "I thought it was gross, that Brad had cooties. I mean, I was 10." Her performance earned her the MTV Movie Award for Best Breakthrough Performance, the Saturn Award for Best Young Actress, and her first Golden Globe Award nomination.Later in 1994, Dunst appeared in the adaptation of the drama Little Women opposite Winona Ryder and Claire Danes. The film received favorable reviews: critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, "The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933. Ms Dunst, also scarily effective as the baby bloodsucker of Interview With the Vampire, is a little vamp with a big future."

In 1995, she appeared in the fantasy movie Jumanji, loosely based on Chris Van Allsburg's 1981 book of the same name. The story is about a supernatural and ominous board game which makes animals and other jungle hazards appear upon each roll of the dice. She was part of an ensemble cast that included Robin Williams, Bonnie Hunt, and David Alan Grier. The movie grossed $100 million worldwide. That year, and again in 2002, she was named one of People magazine's 50 Most Beautiful People. In 1996, Dunst had a recurring role in the third season of NBC's medical drama ER. She portrayed a child prostitute, Charlie Chiemingo, taken under the guidance of Dr. Doug Ross, played by George Clooney. In 1997, she was the voice of Young Anastasia in the animated musical film Anastasia. Also in 1997, Dunst appeared in the political satire Wag the Dog, opposite Robert De Niro and Dustin Hoffman. The following year she was the voice of the title character, Kiki, a 13-year-old apprentice witch who leaves her home village to spend a year on her own, in the anime movie Kiki's Delivery Service (1998). Dunst was offered the role of Angela in the 1999 drama film American Beauty, but turned it down because she did not want to appear in the film's suggestive sexual scenes or kiss co-star Kevin Spacey. She later explained: "When I read it, I was 15 and I don't think I was mature enough to understand the script's material." That same year, she appeared in the comedy Dick, alongside Michelle Williams. The film is a parody retelling the events of the Watergate scandal which lead to the resignation of U.S. president Richard Nixon.

In Sofia Coppola's independent film The Virgin Suicides (1999), Dunst played the role of troubled adolescent Lux Lisbon. The film was screened as a special presentation at the 43rd San Francisco International Film Festival in 2000. The movie received generally favorable reviews, and San Francisco Chronicle critic Peter Stack noted in his review that Dunst "beautifully balances innocence and wantonness." In 2000, she played Torrance Shipman, the captain of a cheerleading squad in Bring It On. The film generated mostly critical reviews, with Charles Taylor of Salon.com writing that the film had failed to provide Dunst with as good a role as she had either in Dick or in The Virgin Suicides. However, Jessica Winter of The Village Voice complimented Dunst, stating that her performance was "as sprightly and knowingly daft as her turn in Dick. She provides the only major element of Bring It On that plays as tweaking parody rather than slick, strident, body-slam churlishness." The movie grossed $68 million worldwide. The following year, Dunst had the lead in the teen comedy Get Over It (2001). She later explained that one of the reasons for accepting the role was that it gave her the opportunity to sing. Also in 2001, she depicted the late American actress Marion Davies in The Cat's Meow, directed by Peter Bogdanovich. Derek Elley of Variety described the film as "playful and sporty," saying that this was Dunst's best performance to date: "Believable as both a spoiled ingenue and a lover to two very different men, Dunst endows a potentially lightweight character with considerable depth and sympathy." In the Esquire review, Tom Carson called her performance "terrific." For her work, she won the Best Actress Silver Ombú category award at the 2002 Mar del Plata Film Festival. Dunst is not married and has not been identified with a long-term partner. She has reportedly been involved in short-term relationships with playwright Jeff Smeenge, actor Jake Gyllenhaal, and musician Johnny Borrell of Razorlight. Dunst supported Democratic candidate John Kerry in the 2004 U.S. presidential election. Four years later, she supported Democrat Barack Obama in the 2008 presidential election. Dunst revealed that she supported Obama "from the beginning" of the presidential campaign. In support of this, she directed and narrated a documentary entitled Why Tuesday, explaining the United States tradition of voting on Tuesdays. Dunst explained that Tuesday is "not a holiday, and [the United States is] one of the lowest democratic countries in voter turnout." She felt it important to "influence people in a positive way" to vote on November 4.

Kirsten Dunst sexy pose

Kirsten Dunst cute smile

Kirsten Dunst hot pose

Kirsten Dunst beautiful face

Anna Faris - Take Me Home Tonight (Film)

Anna Kay Faris (born November 29, 1976) is an American actress and singer. She is known for her recurring role in the Scary Movie film series, as well as her lead roles in The Hot Chick (2002), Lost in Translation (2003), Just Friends (2005), My Super Ex-Girlfriend (2006), Smiley Face (2007), and The House Bunny (2008). She also provided voice acting in the animated film Cloudy with a Chance of Meatballs (2009). Her first significant film role was in the independent production Lovers Lane (1999). Her breakout role was in the horror film parody Scary Movie (2000). The 5'4" Faris, a natural blonde, dyed her hair black for the filming of Scary Movie and Scary Movie 2, so that her character more closely resembled Neve Campbell, who played the corresponding character in Scream, the main film that Scary Movie parodied. Faris gained further popularity after she received the role of the recurring character Erica, the mother whose twin babies are adopted by Chandler and Monica Bing, in the final season of the American sitcom Friends. She also appeared in the critically acclaimed film Lost in Translation, in which she plays an actress promoting an action movie. Faris has appeared on the covers of Raygun, Playboy, Self, Cosmopolitan, and other magazines. She was listed as #57, #39, and #42 in Maxim magazine's "Hot 100" in 2004, 2009, and 2010 respectively. In 2009, she was ranked #60 in FHM's "100 Sexiest Women in the World", and ranked #96 in 2010. Ask Men featured her as #78 on "100 Most Desirable Women in the World" in 2009. In 2010, Cosmopolitan magazine named her "the Cosmo’s Fun Fearless Female of the Year" – stating that “She makes us laugh – and cringe – by pushing the limits of comedy in a way no other actress can."

Take Me Home Tonight (previously titled Kids in America) is an upcoming American retro comedy film set to be released in 2011. The film was written by the writers of That '70s Show, directed by Michael Dowse and starring an ensemble cast including Topher Grace, Anna Faris, Michelle Trachtenberg, Dan Fogler, and Demetri Martin. Shooting began on the week starting February 19, 2007, in Phoenix, Arizona. The title spawns from the Eddie Money song of the same name, also played in the theatrical trailer.The film follows the adventures of recent college graduate Matt Franklin (Topher Grace), his twin sister Wendy (Anna Faris), and his best friend Barry Nathan (Dan Fogler) as they attempt to come to a conclusion about what they should do with their lives. Matt also pursues his dream girl Tori Fredreking (Teresa Palmer) at a wild Labor Day party in 1988 by telling her that he works for Goldman Sachs when in actuality, he works at Suncoast Video. Principal photography for what was at time called Kids in America occurred in 2007, but Universal Studios shelved the project for a while. Topher Grace posited that the release of the film was delayed when the studio didn't know how to handle and promote a youth comedy film with portrayal of cocaine use, as the drug was prominent in the 1980s. Its release remained delayed until Relativity Media acquired the film. The film is scheduled to be released in the U.S. on March 4, 2011.

Take Me Home Tonight - Official Trailer [iamROGUE]

Anna Faris - Take Me Home Tonight (Film)

Anna Faris Soft Make Up

Anna Faris Fashion Style

Anna Faris Straight Hair

Skandar Keynes

Skandar Keynes Looks So Cute


Skandar Keynes Sharpen Gaze


Skandar Keynes With Narnia Costume


Skandar Keynes Cute Smile


Skandar Keynes Narnia Ceremony


Skandar Keynes Poster


Skandar Keynes Cool Pose

Avril Lavigne - Goodbye Lullaby (Album)

Avril Ramona Lavigne (pronounced /ˈævrɨl ləˈviːn/; born 27 September 1984) is a Canadian singer-songwriter, fashion designer, actress, and philanthropist. She was born in Belleville, Ontario, but spent the majority of her youth in the small town of Napanee. By the age of 15, she had appeared on stage with Shania Twain; by 16, she had signed a two-album recording contract with Arista (now RCA Records) worth more than $2 million. When she was 17 years old, Lavigne broke onto the music scene with her debut album, Let Go, released in 2002.Lavigne branched out from recording music, pursuing careers in feature film acting and designing clothes and perfumes. She voiced a character in the animated film, Over the Hedge, in 2006. That same year, she made her on-screen feature film debut in Fast Food Nation. In 2008, Lavigne introduced her clothing line, Abbey Dawn, and in 2009, she released her first perfume, Black Star, which was followed by her second perfume, Forbidden Rose, in 2010. In July 2006, Lavigne married her boyfriend of two years, Deryck Whibley, lead singer and guitarist for Sum 41. The marriage lasted a little over three years, and in October 2009, Lavigne filed for divorce. Whibley and Lavigne continued to work together, with Whibley producing her upcoming fourth album, as well as Lavigne's single, "Alice", written for Tim Burton's film Alice in Wonderland.Themes in Lavigne's music include messages of self-empowerment from a female or adolescent point of view. Lavigne believes her "songs are about being yourself no matter what and going after your dreams even if your dreams are crazy and even if people tell you they're never going to come true." On her debut album, Let Go, Lavigne preferred the less mainstream songs, such as "Losing Grip", instead of her more radio-friendly singles, such as "Complicated", saying that "the songs I did with the Matrix... were good for my first record, but I don't want to be that pop anymore." Lavigne's second album, Under My Skin, had more personal themes underlying each song. Lavigne explained, "I've gone through so much, so that's what I talk about.... Like boys, like dating or relationships". In contrast, her third album, The Best Damn Thing, was not very personal to her. "Some of the songs I wrote didn't even mean that much to me. It's not like some personal thing I'm going through." Her objective in writing the album was simply to "make it fun". Goodbye Lullaby, Lavigne's fourth album, is expected to be much more personal than her earlier records, with Lavigne describing the album as "more stripped down, deeper. All the songs are very emotional".

Goodbye Lullaby is the upcoming fourth studio album by Canadian singer-songwriter Avril Lavigne. The album is set to be released on 2 March 2011 through RCA Records (Sony Music. Lavigne described the album as being about "life". She stated, "It's so easy for me to do a boy-bashing pop song, but to sit down and write honestly about something that's really close to me, something I've been through, it's a totally different thing." The album is expected to be a return to Lavigne's older musical style and may be largely acoustic. With the exception of the album's lead single, Lavigne describes the songs on the album as different from her earlier material, "I'm older now, so I think that comes across in my music, it's not as pop-rock and it's a little more mellow and it's deep". She said, "[For] this record, I just really, really wanted to sing.... I just wanna have silence around me, and have these acoustic songs and really deliver." In November 2010, British producer Alex Da Kid, who worked with Lavigne as of August 2010, stated that some songs on the album will have a hip-hop sound. "We've got some things that are hip-hop leaning, and we've got some things that are more pop/rock leaning". In December 2010, it was announced that the songs produced by Alex Da Kid would not be on the album but Lavigne stated, regarding the songs he worked on, "we’re gonna do something with that stuff, I’m just not sure what yet". Lavigne described the first single off the album, "What the Hell", as "a broad message about personal freedom", calling it her "most pop track on the record", the least personal song from the album and the song most reminiscent of her previous work. Another track, "Stop Standing There", has been described as having an "early- '50s girl-group feel" and "Smile" is about Lavigne's gratitude for special people in her life. "Push" is about relationships and "Wish You Were Here" shows Lavigne's vulnerable side. Lavigne described the track "Everybody Hurts" as "different…but not different to stray away from who I am and what I am." "Goodbye", one of the two songs Lavigne wrote and produced on her own, is about moving on in life. Lavigne stated that "Goodbye" is the most personal song on the album and was the inspiration for the album's title.
The album's and lead single's release dates have been pushed back several times. The album was originally scheduled for release on 17 November 2009. Later, in January 2010, Lavigne stated that the album cover had been photographed and the first single would be released in April, followed by the album in June. In May, Lavigne said that she considered the album too serious and "mellow" and would return to the studio to balance the album out. "With an album, I don't want to rush it out.... I have a very serious record, so I think I need to put a couple upbeat, fun songs on it."In August 2010, Lavigne returned to Henson Recording Studios with producer Alex Da Kid. During these sessions, Lavigne had strep throat, and the people involved were required to wear surgical masks. Despite her doctor's warning, Lavigne recorded vocals. "I wasn't able to sing for the last forty-eight hours because I could do permanent damage to the vocal cords. My doctor told me not to, but I sang today." She revealed that she had been "trying new stuff" and that she was "exploring." Lavigne also added that she had enough material for two records.[Lavigne premiered the lead single, "What the Hell", on Dick Clark's New Year's Rockin' Eve on 31 December during a pre-taped segment along with a performance of "Girlfriend". "["What the Hell" is] a really fun, upbeat party song, so it worked out really well to play it for the first time on 'New Year's Rockin' Eve." The following day, "What the Hell" was available as a free download for 48 hours from Lavigne's official Facebook page. The video for the single was released in January 2011. Goodbye Lullaby is scheduled to be released on 8 March. Album's International Promotion was started with Lavigne's Japanese tour from 23rd january where she performed "What The Hell" On NHK.

Avril Lavigne - What The Hell (Single)

Avril Lavigne Hairstyle

Avril Lavigne With Her Lovely Guitar

Avril Lavigne Performance

Avril Lavigne Coloring Hair

Prada's Ladylike Innocence

It was such a thrill to watch the new Prada collection live yesterday. There's something so energizing about watching the models storm down the runway, wearing clothes never before seen. I loved the atmosphere and music, too. But now that the collection has been viewed, it's time to really think about what Ms. Prada presented.

The collection featured no pants, only skirts and knee-length dresses this time around. The clothing also had a dainty, childlike feel to it, or an "unattainable girlishness," as Tim Blanks put it. I really loved that element of the clothing, though! I adore youthful looks that require slim physiques (i.e. no bust) in order to successfully carry off. Despite the unassuming, ladylike aesthetics, the collection was undeniably provocative, with models decked out in python boots, fur, and sequins. There's nothing childlike about knee-high snakeskin boots! My favorite pieces were the dresses that featured giant plastic scales, leaving Tim Blanks to wonder if they were meant to portray serpents or mermaids. That's the genius behind Miuccia Prada: she always leaves you with something intellectual to ponder.

I agree with Blanks that there was something off-putting about the way the models clutched their bags. I love accessories, but maybe they could have done without the bags? Or at least without holding them in such a strange manner? I am crazy about those shoes, though!

Exquisite use of color! And there are those python boots that were referenced. There's definitely a juxtaposition between the young and the more sophisticated happening in this look.

I could see this as a prep school uniform, but the fur also gives it a much more advanced, grown-up feel.

Now we're moving into my favorite part of the collection. I thought the shimmering scales were brilliant. This look is flawless, and I'd wear everything from head to toe.

Can you tell that I really love yellow? The burgundy cap gives this look a bit of a twenties, flapper feel, but the boots seem reminiscent of the sixties. Regardless of era, this is perfection.

I really prefer seeing the clothes unobstructed by the handbags.

There's something very delicate about this final look. Gorgeous shoes, too.

Miuccia Prada explained that she was "curious about women" and wanted "to challenge their passion." It showed in this collection.

(** images and quotes from style.com**)

Breaking News: Galliano Suspended from Dior

In case you've missed the breaking headlines in The New York Times and New York Magazine (and WWD, Vogue UK, etc.), news from France has just revealed that John Galliano has been suspended from his duties at Dior for allegedly making an anti-Semitic comment to a couple in Paris. The story is still unfolding but the details that I have read so far suggest that Mr. Galliano had been out at a café in the Marais district when the incident occurred. The exact details of the event are still not known, as sources from Vogue UK suggested another side to the story. Mr. Galliano had previously been drinking, however. According to The Cut, his blood alcohol level at the time of the incident was 1.0, with the legal limit for driving in Paris being 0.5.

Christian Dior released the following statement, as reported by Reuters: "Dior affirms with the utmost conviction its policy of zero tolerance toward any anti-Semitic racist words or behavior," Sidney Toledano.

Should Mr. Galliano be suspended from the company for the incident, though? I can see where Christian Dior is coming from. Dior is one of the biggest, most influential companies in the fashion industry and they can't have the face of the company be someone who makes racist remarks. On the other hand, in defense of Galliano, the incident was non-violent (i.e. he didn't attack anyone, no one was injured) and information is still inconclusive. Should his responsibilities be stripped because of hearsay? What do you think?

I really hope they can sort this out. We need the creative genius of John Galliano!

(** image from style.com**)